Evidence continues to grow that musical training may not only serve as a powerful tool for treating mental illnesses but may also rewire the brain to be more nimble at learning math and other subjects.
This ability to alter brain connections was the focus of a recent “Music and the Brain” lecture at the Library of Congress in Washington, D.C. Gottfried Schlaug, an associate professor of neurology at Beth Israel Deaconess Medical Center and Harvard Medical School, outlined three lines of neurological research into musical experience and explained why scientists are optimistic about its potential for education and rehabilitation.
“Music making engages quite a lot of real estate in the brain,” he said. “We wanted to know if everyone has the potential to become an accomplished musician, or if [musicians] start off with an atypical brain.”
In adults, for instance, he said, musicians with a long history of practice tend to have bigger corpus callosa—the bundles of fibers that connect the right and left halves of the brain—as well as enhanced motor and auditory processing areas than do non-musicians. Many of these changes were specific to the primary type of instrument used by a musician. But everyone seems able to benefit: Adult non-musicians who took a crash course in piano showed changes in their sequencing, musical and math abilities even after just two weeks.
Schlaug also outlined results from a four-year study of young children he is conducting with Ellen Winner, a psychology professor at Boston University. After 15 months, children who began practicing music showed, as expected, improvements in motor skills and melody and rhythm identification tasks. There were also suggestive, but not statistically significant, evidence that the children were beginning to excel in nonmusical tasks such as vocabulary and abstract reasoning. This type of extension into a nonrelated mental ability is known as “far transfer.”
We have covered many of these findings in the context of neuroeducation, a new field that seeks to use neuroscience findings to improve teaching practices. Schlaug and Winner, for instance, were featured speakers at the “Learning, Arts and the Brain” summit in May, where they presented their 15-month data.
Since then, however, data from 30 months into the child study has been collected; although it is still in the process of being analyzed, far transfer trends seem to be continuing, Schlaug said, increasing interest in music’s potential educational benefits. Since the May conference, Schlaug and his colleagues have also compiled videos demonstrating the extent and rate of improvement in musical ability in their study participants.
Schlaug also presented a video showing how extensive rhythm and singing therapy helped a four-year old boy with autism speak his very first words. “Music,” Schlaug said, “may provide alternative entry into broken brain systems that may not be linking up properly.” (The use of music for autism is just the tip of the iceberg; music is also being used as treatment for spinal cord injuries, stroke and other conditions. Look for more extensive coverage of these therapies in the coming weeks.)
Schlaug’s presentation was the final “Music and the Brain” lecture of 2009. The series, presented by the Library of Congress and the Dana Foundation, will resume on Jan. 21 with “Music, Memories, and the Brain,” in which Petr Janata of the University of California, Davis, will outlining brain imaging results from people who have experienced musical “trances.” As an early Christmas present, the LOC has released free podcasts of earlier lectures in the series.
-Aalok Mehta